More of last years reviews, again from MySpace (gotta cut and paste the web addresses on IMBD). Enjoy!
Alright all you little drooling, "ipod-people," readers of mine! Here comes this weeks (whatever.) muscle-tensing, blood vessel-blowing, "What the Shit!?"-filled entry of confusion and terror!
7th - Monster Dog - 1984. Ok. Alice Cooper in a horror film. An idea straight from heaven, right? Well, more likely from hell (and not in a "RAWK!" kind of way), this was hard to watch. It opens up with a tasty, Alice music vid, but goes down hill fast. There's way too much going on, (80's slasher, spaghetti western, Scooby-Doo episode, new-wave music video, even a few very brief shouts to older, better films.) and it's jumbled. The bad over-dub (not even Alice's voice!?!) and crappy effects don't help this fucking mess, not to mention the fact that I've seen better acting on episodes of The New Mickey Mouse Club. Verdict: Uhmmm.. , Nah. Stick to Alice's radio show. If you're stoned (Highly recommended [get it? sorry.]) and it's on TV, go 'head but if you're renting, get something else. http://www.imdb.com/title/tt0087616/
8th - The Terror - 1963. Corman! and Karloff! and Jack! Oh My! This is a gem. Right off the bat, the artistic little animated opening gives it that old "Saturday afternoon serial" appeal. Then it 1-ups with the young Jack Nicholson and the classic Boris Karloff. Together they bridge the generation gap, effectively preserving classic movie monster cinema while ushering it into 60's, where Jack will eventually stake his claim. As usual, Nicholson's delivery is de-lish, as he turns simple dialogue into something of his own (but listen for a quirky, now funny, "village inn" line). Plus, dude, Dick Miller From Gremlins! An original score rounds this flick out to a classic "The End" finish you can smile at. Oh, yeah, and Coppola did some of the directing. Anyway, Watch it! http://www.imdb.com/title/tt0057569/
9th - Horror Express - 1972.
CL - "Yo, Peetah, with the 9-millimeetah! Sup' dawg!"
PC - "Lil' Chris! My nyuckle. What it- do!?"
CL - "Nahht-in', Jis-chillin.' Choo gon' do today?"
PC - "Pshhh! Ahh ow-know. Sup witchoo?"
CL - "Wanna kill some mark-ass rebels an' Jedi n' shit?"
PC - "Naw, plenty a time to do dem shits later. What else?"
CL - "Well, how 'bout we fuck around on this old-ass sleeper train with some hottie n' gang'a wacky-ass cats. That big bald, dum-dum eatin' bast'ad swiggin' vodka with a buncha ruskies an' a crazy-ass red-eyed monster runnin' 'round n' shit. Grips of ping-pong eyed muh-fuckas popin' up like colla's all ovah the place an' all that ol' bullshit! It'll be like that movie Clue, only all FFFuckt-up! Kid!"
PC - "OH Snap?! Yeah wooord. That sounds Dope!"
CL - "Woooooord, son."
CG - "Maaan, ya'll 'r on that darkside bullshit." http://www.imdb.com/title/tt0068713/
10th - Scream and Scream Again - 1970. Well. The first half sets up 3 or 4 separate plot lines and proceeds to tangle them thoroughly. Luckily, there're some cool London club scenes, complete with a band that sings the title track, to keep us interested. The second half uses a swingin' soundtrack, some pretty birds, a car chase and Vincent Price to tie it all together and set up a twist ending that makes it all worth it. Have fun, watch with a roommate and joke about the whole movie, and enjoy Christopher Lee and Price, their screen time is rationed. This one's a take it or leave it.
http://www.imdb.com/title/tt0064949/
11th - The Blob - 1958. Well gosh mister, this movie is "keen!" Lots of fun to watch, with unexpectedly good writing, dialogue and acting. The bubble-gum sock-hop theme (by Burt Eff-ing Bacharach!), sets the "Nick at Night" mood. And the Blob!, Aagh! The Blob looks great! The effects are really, . . well, effective! Holding water today, I can only imagine how sweet they must have looked in '58. But even all of that "stuff" isn't the best part of this classic. One thing that makes a classic a Classic is it's influence and while watching, I was noticing references left and right (just ask, my e-mail is listed below). When Rebel Without a Cause was released 3 years prior to this, it re-wrote the norm, and so it's the most dominant influence here, but that's what's great about Horror, it's an easier-to-swallow zietgeist (wiki it). Plus, (Spoiler Alert! but I gotta throw this in,) dig this ending: "They're flying it to the Arctic. It's not dead is it? No, it's not. Just frozen. I don't think it can be killed, but at least we've got it stopped. Yeah, as long as the Arctic stays cold." Ok, first google "zietgeist," then, watch this!
http://www.imdb.com/title/tt0051418/
More to come! . .
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